New York looms always in the landscape, and the novel is an exploration of our lives as we know it, including the subways and human relations and how people might react when most of the world turns into monsters. This is where it starts to get deliciously literary and less cheap paperback thrills. Amongst their sweeps through battered, post-apocalyptic New York, they struggle with PASD (Post-Apocalyptic Stress Syndrome) and what it means to rebuild their lives amongst a hopelessly destroyed world trying to reassert itself with mantras and desperate hope. In brief, we follow Mark Spitz, a member of a sweeper team whose job it is to kill off the remainder of skels (zombies) and stragglers (zombies who just repeat the same action over and over until they get shot) that the marines left behind after the initial wipeout. I know that literary works generally don’t enjoy the sales of genre novels, so from a marketing point of view I can see why its being lumped with said undead novels.īut the zombies play a background part, and I would argue that New York is a bigger character than most in the novel. Now I usually don’t pick up zombie novels and I’m less than thrilled by zombie games (though Left for Dead is a superb game) but I think that billing Zone One as a zombie novel is a bit of misdirection. This title was billed to me as the thinking person’s zombie novel, released in time for Halloween to match the zeitgeist.
0 Comments
Leave a Reply. |